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Christmas Brass

Peaslee, Richard

Product Number
7.0697*
Galaxy Music Corporation
Grouped product items
Product Name Qty
Christmas Brass (Brass Band Set & Score) - 7.0697
$90.00
Christmas Brass (Additional Full Score) - 7.0698
$40.00
More Information
Product Number7.0697*
Available EditionsIndividual Replacement Parts, 7.0699
Composer/ArrangerPeaslee, Richard
Voicing & InstrumentsBrass Band, String Bass, Percussion and Guitar
DifficultyMedium
Special Services/OccasionsLessons and Carols
Topics (Sacred)Holiday
Tune NameAWAY IN A MANGER (MUELLER); CAROL; CRADLE SONG (KIRKPATRICK); CRUSADER'S HYMN (SCHÖNSTER HERR JESU/ST. ELIZABETH); MENDELSSOHN; STILLE NACHT; VENI EMMANUEL
Liturgical YearChristmas
PublisherGalaxy Music Corporation
Christmas Brass is a fantasy on six carols, originally commissioned by Mark Freeh for the Manhattan Brass Choir. Duration: 16:30

The well-known tune, O Come, O Come Emmanuel, a hymn originally based on a plainsong melody, is here set in 5/4 meter. Modal harmonies are combined with big band style as the piece gains momentum, greatly accentuating the mood of the words, “Rejoice! Rejoice! Emmanuel.” The opening 5/4 statement of the theme returns, and the piece ends quietly.

In Beautiful Savior (also known by the title Fairest Lord Jesus), a hushed beginning featuring horns, euphoniums, and a muted trumpet, leads through a key change to a satisfying, chorale-like closing passage.

In Away in a Manger, Peaslee sets two tunes, Cradle Song and Away in a Manger. Following a straightforward presentation of each melody, Peaslee plays them against one another. The music swells to a full climax followed by a hushed ending.

Peaslee employs a gentle hand in It Came Upon a Midnight Clear, using flugelhorn solos and duets in a jazz-waltz style.

In Silent Night, the traditional carol gets an untraditional harmonization, propelled forward by give-and-take between the two groups of brass instruments in the brass choir: trumpets and trombones versus horns, euphoniums, and tuba.

Hark! The Herald Angels Sing begins with a humorous blast of discordant harmonies as multiple carols are sounded at the same time. An up-tempo 4/4 announcement of the melody in the trombone is followed by a metrical modulation in 6/8-3/4 time. An additional metrical modulation bring the music back into 4/4, but at a slower tempo and in a pronounced jazz style. Tempo I returns, and the set of six pieces closes with a big ending.