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Juliana Hall



View Music by Juliana Hall

Vocal  |  New & Recent Releases


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Reviews

“There is a beautiful alchemy that occurs when composer Juliana Hall meets a poem. Revealing each morsel of poetry through her brilliant tonal, textural, and rhythmic language, her work is immediately recognizable and wonderfully familiar. Singers and audiences alike take delight in her songs. Over the years, many of my young colleagues have brought her work for me to coach in my own song program, Fall Island Vocal Arts Seminar, but equally, I have heard her songs in virtually every university in which I have taught master classes over the last decade. Ms. Hall’s songs have a very important endorsement - singers want to sing them. Indeed, they love to sing them, and it is readily understood why. Her choice of text is varied, impressive and speaks to a wide cultural audience. The topics are relevant to today’s artists, and therefore, extraordinarily desirable. It is also incredibly evident that she understands the singing voice and the great art of collaboration with the pianist - there is a level of musical discourse here that demands expertise, and rewards the work with a generous and complete technical, interpretive and emotional experience. It is positively magical.” – Stephanie Blythe, Mezzo Soprano

Biography

American art song composer Juliana Hall (b. 1958) is a prolific and highly-regarded composer of vocal music, whose songs have been described as "brilliant" (Washington Post), "beguiling" (Times of London), and "the most genuinely moving music of the afternoon" (Boston Globe). The NATS Journal of Singing wrote that "Hall's text setting is spot on and exquisite", and Voix des Arts noted that Hall "perpetuates the American Art Song tradition of Beach, Barber, and Bolcom with music of ingenuity and integrity."

Hall began formal studies in composition as a 26-year-old graduate student majoring in piano performance at the Yale School of Music. Despite studying composition only as an elective, her teachers - Martin Bresnick, Leon Kirchner, and Frederic Rzewski - encouraged her to change careers after hearing the art songs she was composing, and in 1987 she received her Master's degree in Composition.

Following Yale, Hall completed her formal studies with Dominick Argento in Minneapolis. While studying there in 1987, she received her first commission (from the Schubert Club of Saint Paul) for a song cycle for star soprano Dawn Upshaw; a second commission came a few years later in 1989 for Metropolitan Opera baritone David Malis. Hall was also awarded a Guggenheim Fellowship in 1989.

More recent singers of note, for whom Hall has composed song cycles, include renowned countertenor Brian Asawa, acclaimed mezzo soprano Stephanie Blythe, and Metropolitan Opera soprano Molly Fillmore. Hall also received SongFest's 2017 Sorel Commission, and was the Fall Island Vocal Arts Seminar's 2018 Guest Composer as well as CollabFest's 2018 Resident Composer.

Several art song organizations have presented concerts devoted to Hall's music in recent years, including Sparks & Wiry Cries' "Casement Fund Song Series" in New York City in 2016, the Contemporary Undercurrent of Song Project (CUSP) in Princeton in 2017, London's "re-Sung" art song series in 2018, and Calliope's Call in Boston in 2019.

Hall's songs have been presented by many other organizations as well, among them ÆPEX Contemporary Performance, Art Song Collective, a very small consortium, Boston Art Song Society, Cantabile Project, Capital Fringe, Center for Contemporary Opera, Cincinnati Song Initiative, Civic Morning Musicals, Connecticut Composers Inc., Contemporary Music Forum, Denver Art Song Project, Lynx Project, Lyric Fest, Lyric Opera of Kansas City, NewMusicShelf, One Ounce Opera, Oxford Song Network, Project 142, Seattle Art Song Society, Second Street Sonorities, Song Collaborators Consortia, Song in the City, The Ensemble of Oregon, and The Social Justice Music Factory.

Performing groups programming Hall's music include the ANA Trio, Astralis Duo, CHAI Collaborative Ensemble, Ensemble for These Times, Ensemble Lyrae, Feminine Musique, Fourth Coast Ensemble, Lowell Trio, Mallarmé Chamber Players, Mirror Visions Ensemble, Northwest Art Song, Songeaters, Voices of Change, and Zenith Ensemble.

Juliana Hall's music has been heard in 29 countries on six continents at concert venues including the 92nd Street Y, Ambassador Auditorium, Herbst Theater, the Library of Congress, and Wigmore Hall, as well as the London Festival of American Music, Norfolk Chamber Music Festival, Ojai Festival, and Tanglewood Music Center. Her music has also been presented on the Joy in Singing's "Edward T. Cone Composers Concert" at New York's Lincoln Center and in a Holy Week meditation service at London's St. Paul's Cathedral.

A favorite of teachers and students alike, Hall's music has been studied and performed at more than 100 colleges and universities across the U.S., including the Bard College Conservatory, Cincinnati College Conservatory, Cleveland Institute, Eastman School, Hartt School, Indiana University, Juilliard School, Longy School, Mannes School, Peabody Institute, SUNY Stony Brook, University of Michigan, University of North Texas, University of Southern California, and Westminster Choir College, as well as at schools abroad such as the Conservatorio di Musica F. A. Bonporti (Italy), Fontys Conservatorium (Netherlands), Guildhall School (England), Royal College of Music (England), and the Royal Conservatoire (Scotland).

Hall's songs have been broadcast over the BBC and NPR radio networks, as well as numerous classical radio stations worldwide, including WQXR New York and WGBH Boston. Her music has also been issued on the Albany, Navona, and Vienna Modern Masters record labels.

Hall's first solo CD - "Love's Signature" - was released in 2017 on the MSR Classics label, featuring renowned countertenor Darryl Taylor with Hall at the piano, and Grammy-winning soprano Susan Narucki performing with pianist Donald Berman. Gramophone Magazine wrote of the recording that "[Hall's] sensitivity to words is on impressive display...these songs show Hall to be a composer who savours lyrical lines and harmonies peppered with gentle spices" and the NATS Journal of Singing remarked that "One comes away from this disc with a profound appreciation for the excellence and innovation of [Hall's] music," adding that her songs are "meticulously and sensitively crafted...music whose beauty could enhance the text at hand without drawing attention away from that text. This is masterful writing in every respect."

Juliana Hall's art songs are published by E. C. Schirmer and Boosey & Hawkes.

Read more about Juliana Hall on these websites:
Guggenheim Foundation
Lieder.Net
New Music USA Online Library
Song of America

 

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